Archive for 'Live Releases'

 

As Wilco’s studio output remains constant in release, there is a widening gap between their earlier works and the last couple albums. Thankfully, they have remained as voracious as ever on the road and consistently put on one of the best live shows in rock and roll. I’ve seen them three times at different points in their career and love how much energy is injected into every song. There have been live albums of Wilco before, but starting last month they have made it much easier to get your hands on concerts, days after performance.

Taking a cue from other bands that generate a live cult following because of their ability to stay ‘fresh’ on the road by playing varying set lists  while maintaining a deep familiarity with their back catalogue, Wilco has released high quality recordings of many of their Summer concerts for public consumption. Wilco, unlike Pearl Jam and Phish, are releasing random shows in a series called “Roadcase“, which at the time of writing, has six volumes. Five shows from July and one from June are available from the Wilco Store in three downloadable formats: 256kbps MP3 for $9, ALAC for $12 and FLAC for $12. Not a bad deal, considering each concert has over 25 songs. I would recommend checking out a couple of the shows as Tweedy and co. mix up their sets quite a bit, but getting all six seems overkill except for the die-hard fan.

I’m currently checking out Roadcase #3, which was recorded live in Brooklyn, NY on July 23, 2012. It was the first of two shows Wilco played in Brooklyn and the band is in fine form (when are they not?). I have a few things I look for when listening to a live Wilco concert: 1) ‘I am Trying to Break Your Heart’ being on the setlist (this used to be in every show, but is only on 2 Roadcase shows so far!); 2) a healthy dose of songs from Being There (including a least one of the great disc openers ‘Sunken Treasure’ or ‘Misunderstood’); 3) A couple rarities; 4) And all or any of the following: ‘Poor Places’, ‘Shot in the Arm’ or ‘Reservations’. Every show covers a couple of these preferences, Roadcase 3 covers them all.

Initial impressions have created a desire to see Wilco live in concert. It’s been over five years and if these shows are any indication Wilco has not missed a beat. The songs from The Whole Love really come into their own when played live and Tweedy’s ferocious guitar playing gives them a new life when compared to their studio counterparts. Back catalogue songs don’t sound tired and old, even though they’ve been played hundreds of times. Overall, these shows are the best you’re going to get when you can’t see Wilco live. If they start releasing more this could be an expensive endeavour.

This week Antony and the Johnson’s released a live album entitled “Cut the World”. It was recorded in Copenhagen with the Danish National Chamber Orchestra, and features arrangements by Nico Muhly, among others. The album features a couple new songs, a spoken word piece, and a selection of tracks from his previous 4 albums.

The opening, and title track, “Cut the World” has received a video treatment, or perhaps more appropriately, a super short film treatment. The video stars Willem Dafoe, Marina Abramovi, and was directed by Robert Wilson. I don’t want to spoil the film, so I will talk little of it, other than it is a powerful piece. The song and the arrangement showcase his distinct voice, and the added orchestral arrangement adds even more emotion if possible. The album is an interesting elaboration of his previous work that is a great accompaniment to his catalog.

enjoy

- Shaun

When I was younger, I would record Letterman every night. I would then fast forward on the good old VCR and get to the end of the show where the music was. Eventually I would end up watching some of the episodes and growing into his quirky humor. But Letterman always had some great music. Nowadays, the PVR is set to record my fav bands on all the late night shows.

It seems that Ryan Adams and David Letterman have had this special connection for awhile. Ryan has performed on the show numerous times and has done some special webcasts after the show. This week, Ryan Adams performed a 70 minute webcast for the show. The set covers his entire career, from Whiskeytown to Ashes and Fire. The opener “Oh my Sweet Carolina” is nearly as pretty as the version I posted last week, just lacking Laura’s harmony. But the overall set is quite stellar and is a must see for any Ryan Adams fan.

Watch the entire set through the link below.

UPDATE: It seems the link has expired: so here is a link to the first song, click related to watch the other performances individually.

http://www.cbs.com/e/qiJWlKZpwPvK0Y9mo0cUkd2xvzCsPJ9h/cbs/1/

This just might be the prettiest thing I hear all day. Two of my favourite singer/songwriters collaborating on what I think is one of the best songs of the last 2 decades. At the beginning of the clip Ryan Adams cites how Laura Marling’s sophomore album transformed “Ashes and Rain.” Laura’s voice is the perfect accompaniment to Ryan Adam’s voice as she takes on Emmylou Harris’ part.

[youtube http://www.youtube.com/watch?v=ix9g-yW7sCo&w=560&h=315]

-Shaun

Last week Lykke Li’s MTV Unplugged show was aired in the US. The performances were then made available for streaming. However us Canadians that were interested in watching these fantastic stripped down versions were instead presented with a lovely message stating that “this content is not available in your country”. I will refrain from getting into the whole debate about whether the internet should have nationally boundaries, but I was displeased. Today, MTV decided to play nice and let us Canucks enjoy as well.

As with all MTV Unplugged sessions these songs are brought down to the basic elements and the focus is on the song and the performance. Lykke Li’s songs and style suit this format quite well. There are a couple of great surprises as well. She covers the fantastic “velvet” by the Big Pink and a stunning version of “Possibility”, the best song on the Twilight: The New Moon OST. And of course you can’t go wrong with “Dance, Dance, Dance” in all its raw percussion glory.

Head on over to MTV’s Uk Site to view this intimate performance

So it is no secret that Sigur Rós are my favourite band. And to me pretty much anything they do is golden. Well yesterday they released a swarm of tracks. Demos. Live Masterpieces. And they put it all up on Soundcloud for us all to enjoy. And wow is it enjoyable. There are outtakes from my favourite album of all time. New transitions. New endings. New loveliness. Ágætis byrjun to me is an album that cannot be improved. After more than 10 years it still resonates deeply with me and I keep discovering nuances within it. Hearing these little pieces of it, and the development process of tracks brings new light into this masterpiece. The live pieces are also wonderful captures of an amazing band live. As mentioned many times before, GO SEE THEM. But for now, take a listen to some of these rarities and go back and listen to the full album with intent. See what else you discover.

The Svefn-g-englar 1999 demo is a wonderful insight into what it becomes later on. And the live version of my favourite Sigur Rós song Flugufrelsarinn a surprisingly raw take that takes a lot of the sheen off of the original.

-Shaun

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